Posted on July 10 2012 – 11:30 AM – Posted by: Doug Brady
There’s no mistaking Francis Scott Key for a great poet, but like other minor talents at exalted moments, Julia Ward Howe, for example, he wrote a great poem. It might seem a stretch to think of “The Star-Spangled Banner” as high art, but its first verse, despite some deficiencies, has true grandeur. Some years ago I discussed America’s anthem at Asia Times. In honor of the 4th of July, here are some revised thoughts.
There is something inherently fragile about the United States of America. France will be France and Slovakia will be Slovakia so long as French and Slovak are spoken, irrespective of their mode of government. But if Americans cease to govern themselves in a way that no people ever governed itself before, America will not be America. We are the only nation founded on an idea, rather than on blood, territory or culture. We look back at our founders with reverence. Each day we should ask ourselves whether we are good enough to keep the republic which they bequeathed us. We came close to losing it more than once. If we continue to drift into dependency, we might lose it now.
That is why it behooves us to sing a national anthem that begins and ends with questions. In this respect, “The Star-Spangled Banner” is an unusual poem. To begin a poem with a rhetorical question is a common enough device (“Why! Who makes much of a miracle?,” “What is so rare as a day in June?” or “Who rides in the night through wind and wild?”). Key’s opening question, though, is not rhetorical, but existential. The hearer from whom the poet demands a response has kept the poet’s company in an anxious vigil. The question itself thus places the hearer alongside the poet in that vigil.